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Fairweather Lewis

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 Jealous Heart: The Legend of LADY LOVIBOND
 

Through the years her memory will haunt me. . .Jenny Lou Carson, "Jealous Heart", 1945

ghost ship

The Goodwin Sands are a treacherous stretch of sandbank on the eastern coast of England, mentioned by Shakespeare in THE MERCHANT OF VENICE:

the Goodwins, I think they call the place; a very
dangerous flat and fatal, where the carcasses of many
a tall ship lie buried, as they say. . .

Eleven miles long, extending four miles in to dry land, and shallowly covered at high tide, they have as sinister a reputation as a graveyard of ships as North Carolina's Cape Hatteras. Some estimate that as many as two thousand ships, over the centuries, have been lost in their quicksands. The legend of one such ship, the LADY LOVIBOND, is one of coastal England's most enduring ghost stories.

Strangely enough, the story begins with a wedding. LADY LOVIBOND's captain, Simon Reed, was a newlywed, and he had his new wife, her mother, and their wedding guests aboard when he sailed his three-masted schooner down the River Thames to the North Foreland and out toward the English Channel, on the evening of February 13, 1748, bound for Oporto, Portugal. With a fair wind behind them, all seemed set for a perfect voyage.

Belowdecks, the wedding party laughed and toasted the married couple. Above their heads, though, a man with a jealous and murderous heart was plotting revenge. The LADY LOVIBOND's first mate, John Rivers, had also been a suitor of Mrs. Simon Reed; she had rejected him in favor of the captain.

Rivers, brooding over the injustice of being bested in love, silently walked up toward the man at the ship's helm and smashed his skull with a belaying pin. The helmsman never knew what hit him; his body was shoved aside, and Rivers swung the helm over hard and headed her for the Goodwin Sands.

The wedding party had no idea that they were no longer riding a fair wind across the Channel; they joked, laughed and drank until the ship gave a sudden jolt as she slammed into the Sands. One can imagine the cacaphony: the masts were snapped, the ship's timbers were crushed, and the wedding party, shrieking with fear and incomprehension, trapped below decks, died with the sound of John Rivers laughing with thunderous glee above their heads. John Rivers also went down with the ship.

By morning, the ship had vanished into the netherworld of quicksand that is the Goodwins.

There was, of course, a court of inquiry held, for only sabotage could account for the LADY LOVIBOND's wreck and disappearance on a clear, stormless winter night. John Rivers's own mother wept as she testified that she had heard her son say "he would have his revenge against Simon Reed if it cost him his life."

The court, possibly, had a bit of trouble with the idea of a man committing murder by shipwreck from thwarted love. They brought in a verdict of wreck by misadventure.

And so the story ends, we're told. . .Townes Van Zandt, "Pancho and Lefty", 1972

Only, of course, it doesn't.

On February 13th, 1798, the captain of a coastal vessel called the EDENBRIDGE was skirting the Goodwin Sands when he was startled by a three-masted schooner under full sail, bearing down on his ship out of the dark. By turning the wheel hard over, the EDENBRIDGE managed to avoid a collision, but the captain was puzzled by sounds of merrymaking that seemed to come from the strange ship's lower decks. He was even more puzzled when he reported the incident to his ship's owners and was given a similar account told by the crew of a fishing vessel who had seen the schooner go aground and break up, only to find the Sands empty and eerily silent when they looked for survivors.

The legend says that the ship has been seen every fifty years since, on the anniversary of her dreadful end, as recently as 1948 for certain, and possibly in 1998.

The LADY LOVIBOND is not the only ghost ship of the Goodwin Sands; there is also a legend of a warship of Sir Francis Drake's time (he was the most famous of the mariners who made Elizabeth I's little island the beginning of the eventually mighty British Empire, and died in 1596) seen going aground in the Sands during the great storm of November 25-26, 1703, during which four ships and over a thousand men were lost in the same area. There is also the legend of the VIOLET, lost in a snow squall in 1857 and seen again ninety years later.

The LADY LOVIBOND is the only one of these ships who returns regularly, however. Her next appearance, if she holds true to her ghostly schedule, will be on February 13th, 2048. I doubt I'll be spry enough, at the age of eighty-six, to be there to watch for her, but I'd like to be.

For the best version of the legend, see Raymond Lamont Brown's PHANTOMS OF THE SEA: LEGENDS, CUSTOMS AND SUPERSTITIONS (1972).

And until next time, fair thee well.

Posted by Fairweather Lewis at 1:36 PM - 16 Comments   Add a Comment  
 

 Rosewood Casket
 

It's getting toward what would be my late maternal grandmother's ninety-seventh birthday. I guess being in the mountains the other day reminded me that Mamaw's favorite song was a traditional mountain ballad called "The Rosewood Casket," one version of which was recorded by Dolly Parton, Emmylou Harris and Linda Ronstadt on TRIO (1987):

There's a little rosewood casket
Resting on a marble stand
With a packet of old love letters
Written by my true love's hand

Go and bring them to me, Sister
Read them o'er for me tonight
I have often tried but I could not
For the tears that filled my eyes. . .

In this context, "casket" is not a synonym for "coffin"; it is instead a small box similar to a jewelry box, meant to hold such treasures as old love letters. Rosewood, says Wikipedia, is a smooth, beautiful dark wood, brown with dark veining, native to South and Central America and some parts of Asia. The most prized variety was the endangered Brazilian Rosewood; Wiki notes that this type has a scent, hence the name rosewood. In the Appalachians, boxes of this type would have been highly prized as rarities; most of our things made "for pretty" and for our small treasures would have been made of cedar, another aromatic wood, but native to our region.

In the next verse of the song, the singer refers to the other type of casket:

When I'm dead and in my casket
When I gently fall asleep
Fall asleep to wake in heaven
Dearest Sister, do not weep. . .

A ballad convention: those on their deathbeds in mountain ballads frequently tell their family and friends not to mourn them when they are gone. In British folklore, it's recorded, excessive mourning keeps the dead from resting in peace.

More to the point, it is to this larger sort of casket, made to hold the clay from which Genesis tells us God made us all, that Sharyn McCrumb, the brilliant author of the so-called Mountain Ballad series, set in the mountains of East Tennessee, refers in her novel THE ROSEWOOD CASKET: a story whose main plot involves an old mountain man who saved boards of rosewood for many years, intending his four sons to make his coffin from it.

The ballad goes on:

Take his letters and his locket
Place them gently on my heart
But this golden ring that he gave me
From my finger never part. . .

The locket, unmentioned hitherto, probably rested in the "little rosewood casket" with the love letters; now the singer means both letters and locket to be buried with her. As for the golden ring, one wonders if this was an engagement ring or a wedding ring. In Cades Cove, there's a woman, buried beside her husband, who apparently lived her life out as a widow for sixty-five years. But no; we--and possibly the original balladeer--probably think of a young and lovely woman, bereft by the loss of her lover and now ready to follow him.

The arrangement of this lovely old ballad on TRIO was done by Dolly Parton's mother, the late Avie Lee Parton. Dolly's lead vocal is enhanced by the accompaniment of an autoharp, an instrument not much heard anymore that has a long history in country music nonetheless; both Sara and Maybelle Carter frequently played it.

My mamaw was not musically gifted; Mom inherited her voice, and I inherited mine, from Mom's father's family. Mamaw's voice was thin and reedy and frequently took strolls noticeably away from key, but today it's her voice, and not Miss Dolly's, I hear singing those opening lines, mournful but oddly sweet:

There's a little rosewood casket
Resting on a marble stand
With a packet of old love letters
Written by my true love's hand. . .

To read other versions of this ballad, use the keywords "rosewood casket ballad".

And until next time, fair thee well.
Posted by Fairweather Lewis at 1:08 PM - 10 Comments   Add a Comment  
 

 Mountain Laurel
 

Laurel

Mountain laurel (Kalmia latifolia), occasionally called wild azalea--it's in the same family as azalea--was blooming in the mountains, too. This evergreen, which grows close together and can become impenetrably entangled, is the origin of the expression "laurel hell"--because it's hell to try to cut your way through it. The flowers are incredible though.
Posted by Fairweather Lewis at 8:03 PM - 6 Comments   Add a Comment  
 
 A Tornado of Butterflies
 

Butterflies

In Cades Cove yesterday Willard and I spotted an odd phenomenon in three separate locations: butterflies, in each case by the dozens, spiraling in graceful fluttering circles. We didn't have time to observe long enough to determine if this was something the butterflies were doing deliberately or if it was something to do with the light and variable winds that blew at ground level all day, but it was striking.

whiteback

Till next time, fair thee well.
Posted by Fairweather Lewis at 1:59 PM - 14 Comments   Add a Comment  
 

 Remember All Who Serve
 

Memorial Day

The stone that marks the oldest grave of a veteran that I've seen stands in the cemetery of the Primitive Baptist Church in Cades Cove, Great Smoky Mountains National Park. He was born in 1740, died in, if I recall aright, 1826, and had served with North Carolina troops during the American Revolution.

My dad, who served in peacetime, also has such a stone.

Many have died in defense of our country; many more came home, and continue to come home, damaged both physically and psychologically, some beyond our limited resources to heal. Then there are the most heartbreaking of all, the ones missing in action whose fates are truly known only to God.

As Billy Ray Cyrus would put it, let us remember that "all gave some and some gave all."

Remember

Until next time, fair thee well.

Posted by Fairweather Lewis at 1:11 PM - 16 Comments   Add a Comment  
 
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